Wednesday 10 February 2016

What does an unfinished 1794 painting from the French Revolution tell us about Donald Trump’s defeat in Iowa? Art historian Catherine Ingram explains.


On the surface Donald Trump, post Iowa, remains buoyant: indeed, CNN reported him telling a child that he is in fact Batman. In cards, the trump card is a ‘winner’ and this is how Trump is marketing himself. Trump’s whole campaign is about winning; he’s going to win and he claims that once he does, America is going to win so often it’s going to get sick of winning. Winning what and winning how? We’re never precisely sure – but this photo shows him at a rally in a sports centre in New Hampshire, after he’d lost the Iowa caucus to Ted Cruz.

Interestingly, the French Revolution started on a sports field. Jacques-Louis David’s unfinished painting The Tennis Court Oath (1790-94) records the moment when the Third Estate, defying the authority of the King, met in the indoor tennis court at Versailles and pledged that that they would work collectively to establish a constitutional government.

Visually the photo of Trump and David’s painting are very similar: a chorus of raised arms directs our gaze to a central, elevated figure, who commands the surrounding space. In the David painting half the picture is empty space. Therefore, despite the crowd, the room feels airy. Gusty winds billow in from high windows, blowing back the curtains and bringing fresh air into the room, reflecting this as an invigorating time in French politics. According to Trump, he’s the much-needed breath of fresh air in US politics. However, his fresh air seems to be based on inexperience; he boasts that he’s only been in politics for six months.

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